The research considers our whanaungatanga relationships and whakapapa connections to ngā rākau and ngāhere. This has led to the creation of a plant-based 16mm film developer, replacing the environmentally damaging Kodak D-76 chemicals.
Simon’s research is concerned with the imposition of Western thought on Māori which has displaced our ways of knowing and being. Colonisation is most visible in the political and biophysical spheres, however, less apparent is the damage to the less tangible – a Māori metaphysics – which underpins relation to the world, and importantly, our ways of existing.
Street design in Aotearoa has had limited involvement from iwi, hapū and Māori hāpori to date and yet streets are everywhere, they connect us to each other, they are communication channels and spaces and places to engage with others. What then might a Māori street look and feel like?