Pae Ahurei

Hineitimoana’s research is a critical biography of her grandmother, Tuaiwa (Eva) Rickard, a Tainui Ngāti Koata woman known for her influential role in the Māori land rights movement of the 1970s.

Māori have a long history of storytelling, which remains a central aspect of te ao Māori and a space for rangatiratanga. This is true of contemporary art forms, though little research has been conducted into adapting literature to screen. Briar’s research seeks to fill this gap by researching the influence of oral narrative forms on Māori literature and how that is then adapted to the screen.

Keita’s research is a qualitative case study on MANUKURA and sets out to explore what practices and/or principles are gained from the kura that support ākonga Māori in their educational aspirations. To achieve this, Keita is interested in the voices of raukura (graduates) of MANUKURA and their whānau, current senior ākonga and their whānau, kaiako, and key people who contributed to the early stages of developing this kura.

The research considers our whanaungatanga relationships and whakapapa connections to ngā rākau and ngāhere. This has led to the creation of a plant-based 16mm film developer, replacing the environmentally damaging Kodak D-76 chemicals.

Simon’s research is concerned with the imposition of Western thought on Māori which has displaced our ways of knowing and being. Colonisation is most visible in the political and biophysical spheres, however, less apparent is the damage to the less tangible – a Māori metaphysics – which underpins relation to the world, and importantly, our ways of existing.

Street design in Aotearoa has had limited involvement from iwi, hapū and Māori hāpori to date and yet streets are everywhere, they connect us to each other, they are communication channels and spaces and places to engage with others.